Fear the Walking Dead
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Fear the Walking Dead recap: 'Grotesque'
Fear the Walking Dead recap: 'Grotesque'
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I remember visiting this website once...
It was called Fear the Walking Dead recap: Grotesque | EW.com
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'Fear the Walking Dead' recap: 'Sicut Cervus'
’s most recent midseason finale ended with a cleansing fire that not only destroyed a hoped-for sanctuary, but physically separated the family unit as they were emotionally pulling apart. Where do they go from here, now forced back into the barren wasteland of the dead?
For Nick, sticking (almost aggravatingly) with the lone wolf mentality, he comes face to face with God. Waking from sleep next to a pair of rotting corpses in an unfamiliar house, he stares up at a wooden cross hanging on the wall.
Sofia, one of Celia’s maids, tells Nick the deceased were friends. Outside, a kid named Juan is bouncing a soccer ball next to a parked car, and Sofia is determined to find his father. She owes it to Juan’s mother and comments that there are too many orphans in the world already.
The other servants will embark on their own journeys to find family and sanctuary, but Nick questions whether they’ll stick together and if there’s even a place for someone like Celia left. It’s as if he’s questioning his own decision to leave his family, though she notes there’s been talk of heading north to the city, where there are still those who consider the dead like Celia does.
Sofia implores Nick to come with her, warning the north is full of “la manas,” who are “the worst of men.” Nick refuses her invitation, and as a consolation is provided with a backpack of supplies, a plastic water jug, and instructions to head for the highway beyond a mountain shaped like the ridge of a woman’s back. After they says their goodbyes, Nick walks back to the corpses to coat his body in that all too familiar stench of blood.
In season 1, Madison’s initial plan was to get Nick to the desert where he would be forced to purge his system of drugs and confront his addiction. As it happens, that’s where he finds himself now.
His journey across jagged terrain and abandoned landmarks commences to the music of José González, who appropriately sings, “How low are you willing to go before reaching your selfish goals?” Upon making it to the highway, the last few guitar plucks of the song echo as he walks down the seemingly infinite stretch of concrete toward Tijuana.
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According to a sign, it’s 100 miles to the city, and Nick’s journey will be filled with physical and emotional trials. The first is a pair of abandoned cars. Nick considers himself for a moment in a rearview mirror with rosary beads (more religious imagery to complement his journey) coiled around it, his reflection sparking a flashback to rehab.
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