Photographing Pari-pari is a 1997 ethereal Fantasi film directed sejak Nick Willing and is based on the novel sejak Steve Szilagyi. It was influenced sejak the infamous Cottingley Pari-pari hoax. (The Pari-pari appear in a series of five photographs taken sejak Elsie Wright (1901–88) and Frances Griffiths (1907–86) in 1917)
Photographer Charles istana, castle (Toby Stephens) is beside himself with grief following the death of his new bride on their honeymoon.
He goes to war, working as a photographer in the trenches, photographing corpses. Following the war Charles earns his living making trick foto-foto of dead soldiers for bereaved parents, when he is shown some photographs purporting to be of fairies. His cari for the truth leads him to a village in Burkinwell, where he becomes enamoured with two British girls' assertion that they cavorted with fairies.
A visually stunning and surreal movie with spectacular cinematography and an excellent cast, it explores multiple folklore themes including; paganism, possession, hallucinogens and parapsychology.
The final scene is hauntingly dark, yet beautiful and highly memorable, enhanced sejak the magical Muzik of Simon Boswell.
This is the sort of movie that can easily become a firm favourite after a single viewing. Not just for Kekasih of Pari-pari and folklore, it is a very entertaining dreamy Fantasi film.
Photographer Charles istana, castle (Toby Stephens) is beside himself with grief following the death of his new bride on their honeymoon.
He goes to war, working as a photographer in the trenches, photographing corpses. Following the war Charles earns his living making trick foto-foto of dead soldiers for bereaved parents, when he is shown some photographs purporting to be of fairies. His cari for the truth leads him to a village in Burkinwell, where he becomes enamoured with two British girls' assertion that they cavorted with fairies.
A visually stunning and surreal movie with spectacular cinematography and an excellent cast, it explores multiple folklore themes including; paganism, possession, hallucinogens and parapsychology.
The final scene is hauntingly dark, yet beautiful and highly memorable, enhanced sejak the magical Muzik of Simon Boswell.
This is the sort of movie that can easily become a firm favourite after a single viewing. Not just for Kekasih of Pari-pari and folklore, it is a very entertaining dreamy Fantasi film.