Critics: 23% Positive.
Average Rating: 4.1/10
Reviews: 202
- Positive - 47
- Negative - 155
Audience: 47% Positive.
Average Rating: 3/5
Ratings: 92,757
"It's technically impressive and loaded with eye-catching images, but without characters atau a plot to support them, all of Sucker Punch's visual thrills are for naught."
Critics:
Gun-toting hotties combat assorted villains and their robot henchmen in this tawdry, repellent action fantasy.
Snyder likes to think that his Russian nesting doll of a concept is enough to excuse its hollow center.
It's close to what Quentin Tarantino and Robert Rodriguez were after with their Grind House double-header, but shot through with Snyder's own psychotropic brio (which is something like the unholy union of David Lynch, Brian De Palma, and Ken Russell)
The movie spins out of control, until it collapses in a heap, senseless.
The baleful influence of David Lynch, kung-fu pictures and pengatup Island lie behind its rancid lucubrations.
I don't doubt that Mr Snyder is possessed of an imagination; it's just that what he imagines is hackneyed, meretricious and boring.
Have we already found the worst film of the year?
If anda thought Zack Snyder's sebelumnya films, among them 300 and Watchmen, were over the bahagian, atas - cliché-embracing, muscle-bound pseudo-triumphs of digital effects over storytelling - they have nothing on Sucker Punch.
Proves that while masturbating over your cast may not make anda blind, it can impair directorial vision.
Snyder pulverises our senses with derivative digital imej and obvious musical choices. But his failure to delineate the levels of 'reality' is confusing and self-defeating.
It's not often anda see a film that makes anda think, 'I wish I was watching Yogi menanggung, bear again.'
Ambitious and visually impressive as a pop-video mash-up, but, lacking a strong emotional core, it doesn't quite cohere as a fully satisfying movie.
A series of extravagant computer-generated adventure scenarios linked sejak grim mental hospital plot, Sucker punch represents a particularly ambitious exercise in tedium.
Director Zack Snyder and his production crew clearly had great fun envisioning this swords-and-corsets fantasy. Few others are likely to approach their level of enjoyment.
The suckers here are the poor mugs who leave their dollars at the door. And for what? A seedy, desaturated, overstimulated simulation of a real movie. Schlock treatment for comatose gamers, and a bomb with a bright merah jambu ceri, cherry on top.
The movie is like an arrested adolescent's Google cari run amok.
Map! Fire! Knife! Key! (Well, eat drink man woman to anda too, honey.)
Looks aren't everything. Case in point: Sucker Punch, a dazzling visual Rekaan that goes tone-deaf every time it opens its dumb mouth atau makes claims to profundity.
An indecipherable, hypocritical mess that proves anda can fill a movie with scantily-clad women with big Pistol and it can still bore one to tears.
"Sucker Punch" is what happens when a studio gives carte blanche to a filmmaker who has absolutely nothing original atau even coherent to say.
My personal rule of film enjoyment goes a little like this: anda can be miserable atau pointless, but anda can't be both. Sucker punch works hard to be both.
I can't be sure whether it's brilliant atau idiotic, although I'm pretty confident it's both, and not always in different places atau at different moments.
You've never seen a movie like Sucker Punch. And depending on your entertainment preferences, anda may not want to.
In the end, Snyder confuses going ugly for getting serious, and he destroys his movie completely.
Wild, loud, fetishistically stylized, and...numbingly dull.
There is nothing here to enjoy, beyond the tiny satisfaction in noting that the movie lives up to its name.
[The] mash-up set pieces blend into so-awesome-they're-awful slo-mo monotony, and the awful sisterhood stuff in between makes anda anticipate the action as though waiting for the bus.
[A] cacophonous, half-digested mass of budaya pop influences.
Zack Snyder's storytelling skills remain in soalan in his latest CGI spectacular.
It provides sporadic saat of splendid eye Kandi separated sejak minit of muddled exposition and flat acting.
"Close your eyes. Open your mind. anda will be unprepared," is the movie's ad slogan. Indeed. anda will be unprepared for a film packing this much confusing crud into a little less than two hours...
A wonderfully wild provocation - an imperfect, overlong, intemperate and utterly absorbing romp through the id that I wouldn't have missed for the world.
Snyder has described it as "Alice In Wonderland with machine guns," but it's lebih like The Pussycat anak patung Present Steampunk Kill Bill, only lebih assaultive and pandering than that huraian suggests.
One feels for the talented actors swept into such hokum.
Director Zach Snyder offers a peek inside his head, which turns out to be a vomatorium of pop culture's every geeky element.
Average Rating: 4.1/10
Reviews: 202
- Positive - 47
- Negative - 155
Audience: 47% Positive.
Average Rating: 3/5
Ratings: 92,757
"It's technically impressive and loaded with eye-catching images, but without characters atau a plot to support them, all of Sucker Punch's visual thrills are for naught."
Critics:
Gun-toting hotties combat assorted villains and their robot henchmen in this tawdry, repellent action fantasy.
Snyder likes to think that his Russian nesting doll of a concept is enough to excuse its hollow center.
It's close to what Quentin Tarantino and Robert Rodriguez were after with their Grind House double-header, but shot through with Snyder's own psychotropic brio (which is something like the unholy union of David Lynch, Brian De Palma, and Ken Russell)
The movie spins out of control, until it collapses in a heap, senseless.
The baleful influence of David Lynch, kung-fu pictures and pengatup Island lie behind its rancid lucubrations.
I don't doubt that Mr Snyder is possessed of an imagination; it's just that what he imagines is hackneyed, meretricious and boring.
Have we already found the worst film of the year?
If anda thought Zack Snyder's sebelumnya films, among them 300 and Watchmen, were over the bahagian, atas - cliché-embracing, muscle-bound pseudo-triumphs of digital effects over storytelling - they have nothing on Sucker Punch.
Proves that while masturbating over your cast may not make anda blind, it can impair directorial vision.
Snyder pulverises our senses with derivative digital imej and obvious musical choices. But his failure to delineate the levels of 'reality' is confusing and self-defeating.
It's not often anda see a film that makes anda think, 'I wish I was watching Yogi menanggung, bear again.'
Ambitious and visually impressive as a pop-video mash-up, but, lacking a strong emotional core, it doesn't quite cohere as a fully satisfying movie.
A series of extravagant computer-generated adventure scenarios linked sejak grim mental hospital plot, Sucker punch represents a particularly ambitious exercise in tedium.
Director Zack Snyder and his production crew clearly had great fun envisioning this swords-and-corsets fantasy. Few others are likely to approach their level of enjoyment.
The suckers here are the poor mugs who leave their dollars at the door. And for what? A seedy, desaturated, overstimulated simulation of a real movie. Schlock treatment for comatose gamers, and a bomb with a bright merah jambu ceri, cherry on top.
The movie is like an arrested adolescent's Google cari run amok.
Map! Fire! Knife! Key! (Well, eat drink man woman to anda too, honey.)
Looks aren't everything. Case in point: Sucker Punch, a dazzling visual Rekaan that goes tone-deaf every time it opens its dumb mouth atau makes claims to profundity.
An indecipherable, hypocritical mess that proves anda can fill a movie with scantily-clad women with big Pistol and it can still bore one to tears.
"Sucker Punch" is what happens when a studio gives carte blanche to a filmmaker who has absolutely nothing original atau even coherent to say.
My personal rule of film enjoyment goes a little like this: anda can be miserable atau pointless, but anda can't be both. Sucker punch works hard to be both.
I can't be sure whether it's brilliant atau idiotic, although I'm pretty confident it's both, and not always in different places atau at different moments.
You've never seen a movie like Sucker Punch. And depending on your entertainment preferences, anda may not want to.
In the end, Snyder confuses going ugly for getting serious, and he destroys his movie completely.
Wild, loud, fetishistically stylized, and...numbingly dull.
There is nothing here to enjoy, beyond the tiny satisfaction in noting that the movie lives up to its name.
[The] mash-up set pieces blend into so-awesome-they're-awful slo-mo monotony, and the awful sisterhood stuff in between makes anda anticipate the action as though waiting for the bus.
[A] cacophonous, half-digested mass of budaya pop influences.
Zack Snyder's storytelling skills remain in soalan in his latest CGI spectacular.
It provides sporadic saat of splendid eye Kandi separated sejak minit of muddled exposition and flat acting.
"Close your eyes. Open your mind. anda will be unprepared," is the movie's ad slogan. Indeed. anda will be unprepared for a film packing this much confusing crud into a little less than two hours...
A wonderfully wild provocation - an imperfect, overlong, intemperate and utterly absorbing romp through the id that I wouldn't have missed for the world.
Snyder has described it as "Alice In Wonderland with machine guns," but it's lebih like The Pussycat anak patung Present Steampunk Kill Bill, only lebih assaultive and pandering than that huraian suggests.
One feels for the talented actors swept into such hokum.
Director Zach Snyder offers a peek inside his head, which turns out to be a vomatorium of pop culture's every geeky element.
Tyler Bates is the Muzik producer for Sucker Punch. With lebih than 49 films and 17 years scoring movies, film composer Tyler Bates is at the forefront of innovation in film music. Bates continuously provides ambient electronic textures, intoxicating vocal melodies and driving hypnotic rhythms, including the new rock n' roll themed soundtrack for Conan The Barbarian, releasing on August 16.
His work has appeared in countless Filem and Televisyen shows: The hari the Earth Stood Still, Showtime's hit series Californication, Dawn of the Dead, Halloween, Slither and The Devil's Rejects, 300 & Watchmen. He's also composed for numerous videogames such as Army of Two: The 40th hari and Activision's Transformers.
Bates will engage in a discussion with the GRAMMY Museum's Executive Director Bob Santelli, and will take soalan from the audience and instruct a live composing demonstration.
Monday, August 15th 2011 8pm
Doors Open at 7:30PM
Tickets available at grammymuseum.org
His work has appeared in countless Filem and Televisyen shows: The hari the Earth Stood Still, Showtime's hit series Californication, Dawn of the Dead, Halloween, Slither and The Devil's Rejects, 300 & Watchmen. He's also composed for numerous videogames such as Army of Two: The 40th hari and Activision's Transformers.
Bates will engage in a discussion with the GRAMMY Museum's Executive Director Bob Santelli, and will take soalan from the audience and instruct a live composing demonstration.
Monday, August 15th 2011 8pm
Doors Open at 7:30PM
Tickets available at grammymuseum.org