SOMBER BELOVED
THE Kandi Kandi Gothic MOVIE
sejak Lady Sybilla
OPENING SCENE
FADE IN:
EXT. THE WOODS - NIGHT
The full moon hangs low in the sky, half covered with gray clouds. It is foggy, and the wind howls as though enraged.
A HOODED FIGURE rides like the wind on a white horse. The sky roars with thunder.
A storm is approaching. As we alih in on the rider, we realize it is A YOUNG WOMAN. Her hooded jubah, berjubah is made of burgundy velvet, Victorian-Gothic style. She is obviously a lady of high society.
We see her face. It is Kandi CANDY.
As her horse races up a winding dirt road, we see that she is chasing after A BLACK CARRIAGE.
In the distance we see a MEDIEVAL istana, castle on a mountaintop.
The carriage advances fast towards the castle.
We can tell sejak the horrified look on Candy's face that she is a damsel in distress. She lashes her horse with a whip to make it go faster, but the horse can't keep up. Four strong black Kuda are pulling the carriage, and they're way ahead of them. Her horse doesn't stand a chance.
She arrives at the WROUGHT IRON GATES and pulls the reins back on the horse to make it stop. The horse rears up without warning and it almost drops her backwards, but she hangs on to the reins for dear life.
As she finally gets the horse to calm down, she realizes it's too late. The carriage is already past the gates.
In one pantas, swift move, she climbs off the horse.
As she tries to open the gates, she notices they are locked. They're tightly secured with a heavy chain and a padlock. We see panic in her eyes.
Through the gates, she sees the black carriage getting closer and closer to the castle.
CANDY
(screaming at the bahagian, atas of her lungs)
Albert! Albert, wait please!
She shakes the gates several times, trying to loosen the chains and searching frantically for a way to get in. But there is no use. The gates have sharp spikes that make it impossible for her to even attempt to climb over them.
They're evidently made to keep people out. To make the istana, castle impenetrable.
Kandi looks up at the trees nearby and spots a tall one with long, gnarly branches that stretch all the way across the bahagian, atas of the dinding surrounding the property.
Without hesitation, she pulls the horse toward the pokok and gets back on the saddle. From there, she reaches for a branch and pulls herself up to climb the tree.
As she gets close to the bahagian, atas of the wall, she hangs from the branch and takes a leap to the other side.
She lands on a rose garden and cuts herself with a thorn. A deep gash appears across her forearm. The wound starts bleeding. She writhes in pain and screams but no one seems to be around to hear her.
Just then, the rain begins to fall.
A emas chain hangs around her neck with a locket. She opens the locket. There's a clock inside it. She checks the time. It's five minit 'till midnight.
Clenching her teeth in agony, she springs up from the ground and takes off running towards the castle, blood still dripping from her wound.
EXT. COURTYARD - CONTINUOUS
She arrives at the front entrance of the castle. Surrounding it is a bleak garden full of statues and a mata air, air pancut in the center.
The place appears forlorn and abandoned.
The carriage is parked outside the entrance, off to the side of the garden.
Kandi approaches the carriage, but no one is there, not even the conductor.
She then runs around the side of the istana, castle to the backyard.
EXT. BACKYARD - CONTINUOUS
THE CONDUCTOR of the carriage intercepts her and stands in her way.
CONDUCTOR
(shocked)
Miss Candy, what are anda doing here?
Kandi struggles to get past him, but it's no use. The man won't let her.
CANDY
Let me through.
CONDUCTOR
Who told anda we were here?
CANDY
I figured it out. Now let me talk to Albert.
CONDUCTOR
The master gave me specific instructions not to let anyone in.
CANDY
I need to talk to him.
She tries to break free from the man's grasp, but he won't budge.
CONDUCTOR
(looking at her wound)
You're hurt, milady. Please let me take anda to the hospital.
CANDY
I'm not going anywhere until I talk to Albert.
CONDUCTOR
He has an appointment. He can't see anda right now.
CANDY
Why?
CONDUCTOR
He's busy.
CANDY
Tell him I know about the duel.
CONDUCTOR
(taken aback)
How did anda find out?
CANDY
That's not important. I'm here to stop him.
CONDUCTOR
I'm truly sorry, milady, but it's too late. They're already preparing.
Kandi grows desperate. She screams.
CANDY
Albert! I know anda can hear me.
We hear FOOTSTEPS approaching. For a second, the conductor turns around to see who's coming, and Kandi takes advantage of his temporary distraction. She kicks him in the stomach, and the man falls to the ground, gasping for air.
ALBERT comes running, gun in hand.
ALBERT
Candy! How did anda find me? What happened to your arm?
CANDY
Why did anda lie to me?
ALBERT
I didn't lie.
CANDY
Why didn't anda tell me about the duel?
ALBERT
anda know?
CANDY
Of course I know. Who lives here?
Albert lowers his head and doesn't answer.
Kandi (CONT'D)
Tell me. Who's this man you're dueling against?
ALBERT
Don't force me to be rude. anda need to leave immediately.
CANDY
Why did anda agree to this? Don't anda know anda can get killed?
ALBERT
It's a risk I must take. I gave him my word.
CANDY
Who's your opponent?
ALBERT
(ignoring her, talking to the conductor)
John, anda need to take her away from here now. She needs a doctor.
CANDY
I'm a nurse! I can take care of myself.
John gets up from the ground and tries to restrain her, but Kandi resists.
Kandi (CONT'D)
Get your hands off me!
ALBERT
Don't listen to her, John. Take her now.
Just as John starts dragging Kandi towards the carriage, the silhouette of A TALL MAN steps out of the shadows.
MAN
Candy!
Kandi almost faints as recognition sets in.
We see the man's face as he comes into the light. It is TERRY GRANDCHESTER.
CANDY
Terry?
TERRY
I'm sorry, Candy.
CANDY
anda . . . you're his opponent?
TERRY
Yes . . . And I'm the one who challenged him.
To be continued . . .
If anda like this script, please don't forget to visit my DeviantArt page to check out the new generation of Gothic Kandi Kandi fanarts. My user name is gothic-lady-sybilla.
I'm also really proud to announce that this script will be produced as an animated series of episodes that will premiere exclusively on YouTube. If you'd like to find out the latest kemaskini on this movie, please PM me here atau note me on DeviantArt.
Love,
Lady Sybilla
THE Kandi Kandi Gothic MOVIE
sejak Lady Sybilla
OPENING SCENE
FADE IN:
EXT. THE WOODS - NIGHT
The full moon hangs low in the sky, half covered with gray clouds. It is foggy, and the wind howls as though enraged.
A HOODED FIGURE rides like the wind on a white horse. The sky roars with thunder.
A storm is approaching. As we alih in on the rider, we realize it is A YOUNG WOMAN. Her hooded jubah, berjubah is made of burgundy velvet, Victorian-Gothic style. She is obviously a lady of high society.
We see her face. It is Kandi CANDY.
As her horse races up a winding dirt road, we see that she is chasing after A BLACK CARRIAGE.
In the distance we see a MEDIEVAL istana, castle on a mountaintop.
The carriage advances fast towards the castle.
We can tell sejak the horrified look on Candy's face that she is a damsel in distress. She lashes her horse with a whip to make it go faster, but the horse can't keep up. Four strong black Kuda are pulling the carriage, and they're way ahead of them. Her horse doesn't stand a chance.
She arrives at the WROUGHT IRON GATES and pulls the reins back on the horse to make it stop. The horse rears up without warning and it almost drops her backwards, but she hangs on to the reins for dear life.
As she finally gets the horse to calm down, she realizes it's too late. The carriage is already past the gates.
In one pantas, swift move, she climbs off the horse.
As she tries to open the gates, she notices they are locked. They're tightly secured with a heavy chain and a padlock. We see panic in her eyes.
Through the gates, she sees the black carriage getting closer and closer to the castle.
CANDY
(screaming at the bahagian, atas of her lungs)
Albert! Albert, wait please!
She shakes the gates several times, trying to loosen the chains and searching frantically for a way to get in. But there is no use. The gates have sharp spikes that make it impossible for her to even attempt to climb over them.
They're evidently made to keep people out. To make the istana, castle impenetrable.
Kandi looks up at the trees nearby and spots a tall one with long, gnarly branches that stretch all the way across the bahagian, atas of the dinding surrounding the property.
Without hesitation, she pulls the horse toward the pokok and gets back on the saddle. From there, she reaches for a branch and pulls herself up to climb the tree.
As she gets close to the bahagian, atas of the wall, she hangs from the branch and takes a leap to the other side.
She lands on a rose garden and cuts herself with a thorn. A deep gash appears across her forearm. The wound starts bleeding. She writhes in pain and screams but no one seems to be around to hear her.
Just then, the rain begins to fall.
A emas chain hangs around her neck with a locket. She opens the locket. There's a clock inside it. She checks the time. It's five minit 'till midnight.
Clenching her teeth in agony, she springs up from the ground and takes off running towards the castle, blood still dripping from her wound.
EXT. COURTYARD - CONTINUOUS
She arrives at the front entrance of the castle. Surrounding it is a bleak garden full of statues and a mata air, air pancut in the center.
The place appears forlorn and abandoned.
The carriage is parked outside the entrance, off to the side of the garden.
Kandi approaches the carriage, but no one is there, not even the conductor.
She then runs around the side of the istana, castle to the backyard.
EXT. BACKYARD - CONTINUOUS
THE CONDUCTOR of the carriage intercepts her and stands in her way.
CONDUCTOR
(shocked)
Miss Candy, what are anda doing here?
Kandi struggles to get past him, but it's no use. The man won't let her.
CANDY
Let me through.
CONDUCTOR
Who told anda we were here?
CANDY
I figured it out. Now let me talk to Albert.
CONDUCTOR
The master gave me specific instructions not to let anyone in.
CANDY
I need to talk to him.
She tries to break free from the man's grasp, but he won't budge.
CONDUCTOR
(looking at her wound)
You're hurt, milady. Please let me take anda to the hospital.
CANDY
I'm not going anywhere until I talk to Albert.
CONDUCTOR
He has an appointment. He can't see anda right now.
CANDY
Why?
CONDUCTOR
He's busy.
CANDY
Tell him I know about the duel.
CONDUCTOR
(taken aback)
How did anda find out?
CANDY
That's not important. I'm here to stop him.
CONDUCTOR
I'm truly sorry, milady, but it's too late. They're already preparing.
Kandi grows desperate. She screams.
CANDY
Albert! I know anda can hear me.
We hear FOOTSTEPS approaching. For a second, the conductor turns around to see who's coming, and Kandi takes advantage of his temporary distraction. She kicks him in the stomach, and the man falls to the ground, gasping for air.
ALBERT comes running, gun in hand.
ALBERT
Candy! How did anda find me? What happened to your arm?
CANDY
Why did anda lie to me?
ALBERT
I didn't lie.
CANDY
Why didn't anda tell me about the duel?
ALBERT
anda know?
CANDY
Of course I know. Who lives here?
Albert lowers his head and doesn't answer.
Kandi (CONT'D)
Tell me. Who's this man you're dueling against?
ALBERT
Don't force me to be rude. anda need to leave immediately.
CANDY
Why did anda agree to this? Don't anda know anda can get killed?
ALBERT
It's a risk I must take. I gave him my word.
CANDY
Who's your opponent?
ALBERT
(ignoring her, talking to the conductor)
John, anda need to take her away from here now. She needs a doctor.
CANDY
I'm a nurse! I can take care of myself.
John gets up from the ground and tries to restrain her, but Kandi resists.
Kandi (CONT'D)
Get your hands off me!
ALBERT
Don't listen to her, John. Take her now.
Just as John starts dragging Kandi towards the carriage, the silhouette of A TALL MAN steps out of the shadows.
MAN
Candy!
Kandi almost faints as recognition sets in.
We see the man's face as he comes into the light. It is TERRY GRANDCHESTER.
CANDY
Terry?
TERRY
I'm sorry, Candy.
CANDY
anda . . . you're his opponent?
TERRY
Yes . . . And I'm the one who challenged him.
To be continued . . .
If anda like this script, please don't forget to visit my DeviantArt page to check out the new generation of Gothic Kandi Kandi fanarts. My user name is gothic-lady-sybilla.
I'm also really proud to announce that this script will be produced as an animated series of episodes that will premiere exclusively on YouTube. If you'd like to find out the latest kemaskini on this movie, please PM me here atau note me on DeviantArt.
Love,
Lady Sybilla
Somber Beloved: Gothic Sequel to Candy Candy
