Paula Becker cut her teeth on Archie comics, Mad magazine and the daily “funnies.”
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His themes range from Greek mythology to Medieval folklore to classic literature. Whatever epoch he happens to be immersed in, sci-fi Fantasi artist John Blumen draws from an endless cultural well to craft his realistic illustrations.
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Laura Williams dropped us an e-mel to tell us about her interview in DPI magazine this month. Based in Taiwan, DPI is devoted to cutting edge illustration, design, gaming and toy industry culture worldwide.
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Lin Wang’s illustrations have a Renaissance painting look, saturated and muted color. She applies multiple layers of watercolors to create a rich, warm, dramatic feeling.
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Illustrator Claudine Hellmuth combines vintage foto-foto with quirky line work to create her new series of "Gal Pals" everyday cards for Amber Lotus Publishing. The look is fun, flirty and whimsical-with-edge. Peep ‘em!
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Earl’s the little voice in your head that nixes all those ad messages that bombard us daily. Illustrator/animator Richard Borge has brought him to life in a branding campaign for regional upstart Alabama ad agency LUCKIE. Meet Earl here.
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Beppe Giacobbe was kind enough to share both finished spreads from the book as well as some of his sketches in their rawest and most elementally canine form.
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Wrigglesworth works largely in a combination of paint, collage, and digital media. “I Cinta living in places that begin with the letter B and so far have lived in Burnley, Bristol, Berlin and Brighton,” says he.
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Bailey’s palette consistently relies on the rich saturated Kodachrome Warna Paul Simon once sang of. Indeed, she tends to portray her subjects in a very photographic manner, always observing how light moves through her compositions.
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Ben’s illustrations are recognized internationally by: The Art Director's Club of New York, American Illustration, Prospects, Juxtapoz, Applied Arts, the Association of Illustrators, Creativity, Coupe, Graphis and the D&AD.
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