Lifestyle vector art that breathes. Kendall’s work is suffused with omni-directional light --- anda can almost feel the warm summer breezes blowing past as anda view her illustrations.
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Tamaye refined her type-driven illustrations working as associate art director at Entertainment Weekly in charge of designing cover stories. Her elegant type treatments balance with bold, sophisticated graphics to complete the statement.
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Daberko illustrates in a range styles, from clean vector lines and shapes, to a detailed approach with painterly color and texture.
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Julia Wolff is best known as the illustrator of the opening buku for the Filem Shrek and Shrek 2. Her most recently illustrated book is “The Bubble Gum Kid”, which released last August. She still cannot blow a bubble.
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Laura Williams dropped us an e-mel to tell us about her interview in DPI magazine this month. Based in Taiwan, DPI is devoted to cutting edge illustration, design, gaming and toy industry culture worldwide.
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Beppe Giacobbe was kind enough to share both finished spreads from the book as well as some of his sketches in their rawest and most elementally canine form.
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Ben’s illustrations are recognized internationally by: The Art Director's Club of New York, American Illustration, Prospects, Juxtapoz, Applied Arts, the Association of Illustrators, Creativity, Coupe, Graphis and the D&AD.
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Look for pop art and Japanese print influences in Blair Kelly’s traditional linocuts. His work also nods towards 1950’s Rekaan sensibilities (he’s converted a 50’s TV to a rak buku which holds kegemaran art & Rekaan buku in his studio).
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You’ve seen Caitlin Kuhwald’s work around this year. She illustrated a portrait of Al Franken for the Utne Reader, and that led to two commissions from The Progressive to paint Howard Dean and Michael Moore.
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Monsters, aliens, elves, mutants & cariacatures intermingle with each other in Jorge Baeza’a selamat, peti deposit keselamatan and well-controlled digital atmosphere.
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